THERAPY OF DREAM PLAY CONTINUES
DIRECTIONS;
Big writing table in the center
A few books on the table including a book by ALBERT CAMUS
Lots of scripts on the table as well.
A huge bag near the table full of scripts and papers full of notes
A chair
A chez divan upstage
(Sybil enters carrying a big heavy shoulder bag.
classical music is playing
She starts searching from her pile of scripts
she search for some particular script from the bag on the floor.
finally picks up CAMUS BOOK AND STARTS TO READ IT...
(SCENE ABOUT QUOTATIONS OF CAMUS)
(FINALLY SHE STARTS TO TALK)
SYBIL:
I AM LOOKING FOR A PLAY. I KNOW I WROTE IT A WHILE AGO.
I KNOW I DIDN'T FINISH IT BUT I REMEMBER THAT I STARTED IT.
ACTUALLY I STARTED MANY PLAYS BUT DIDN'T FINISH MOST OF THEM
BECAUSE I COULD NEVER FIND THE UN-FINISHED SCRIPTS.
I HAD PUT IT IN A HUGE BAG LIKE THIS ONE...
I HAVE MANY HUGE BAGS IN THE ATTIC.
BUT I HAVE NO IDEA IN WHICH BAG DID i PUT MY UNFINISHED PLAYS,
THE ONES I AM LOOKING FOR RIGHT NOW.
I HAVE TO FIND THOSE PLAYS SO I CAN FINISH ONE OF THEM AND GET READY
FOR THE DEAD LINE. BELIEVE IT OR NOT BUT FINALLY MY PLAY HAS BEEN
BOOKED IN A HUGE THEATER WITH THOUSANDS OF SEATS WHICH WILL BE ALL
FILLED BY MY BRILLIANT NEW PLAY.
THERE IS NO AUDIENCE YET BECAUSE THERE IS NO PLAY YET.
I HAVE TO FIND IT FIRST AND THEN TAKE ALL THE ILLNESS OUT OF THE PLAY
IT'S CALLED ,"DRAMATURGY" BUT I CALL IT , THERAPY OF THE PLAY.
EVEN THE PLAYS NEED THERAPY LIKE ALL HMAN BEINGS. WE ARE ALL SICK
AND WE CLAIM TO WRITE PLAYS SO THE PLAYS HAVE TO BE SICK AS WELL.
I AM THE PLAY DOCTOR AS WELL
I DO TE THERAPY OF THE PROBLEMS IN THE PLAY AND I HAVE SO MANY PLAYS
HIDDEN IN THE ATTIC, IF ONLY IF I COULD FIND SOME OF THEM BECAUSE NOW
IT'S URGENT BECAUSE I HAVE DEADLINE. PLAY IS BOOKED...
CAN YOU BELIEVE IT?
A WOMAN OF COLOR, AN IMMIGRANT WOMAN, NOT SO TALL, NOT SO THIN,
NOT SO YOUNG AND HER PLAY IS BOOKED IN A HUGE THEATER AFTER
TRYING FOR THIRTY YEARS AND NOW I CAN'T FIND THAT PARTICULAR
PLAY WHICH WILL FILL THE THEATER AND I WILL BE ON MY WAY TO THE WHOLE
STARDOM BUSINESS...AND NOW I CAN'T FIND IT...
(Looks in the bags) (A persistent loud knock at te door)
SYBIL:
WHO IS IT?
JOHN:
JOHN...
SYBIL:
JOHN WHO?
JOHN:
YOUR DOWNSTAIR NEIGHBOR...
SYBIL: (Goes to the door and open it a crack. John peeks through)
WHAT DO YOU WANT?
JOHN:
YOU ARE MAKING TOO MUCH NOISE
SYBIL:
I AM MAKING TOO MUCH NOISE? I AM MAKING TOO MUCH NOISE?
ARE YOU HARASSING ME AS USUAL? DO YOU HEAR A BAND PLAYING IN
MY PLACE? DO YOU SEE A ROCK OPERA BEING PERFORMED HERE?
DO YOU HEAR DRUMS BEATING? GET OFF MY BACK. YOU HAVE BEEN
BOTHERING E FOR YOU FALSE ACCUSATIONS FOR 25 YEARS.
AM THE ONLY PERSON IN THIS FUCKING BUILDING WHO MAKES THE LEAST NOISE.
I AM THE ONLY TENANT IN THIS LOUSY PLACE STUCK ON A FLOOR ABOE YOU
UNFORTUNATELY WHO IS ALWAYS QUIET LKE A PERSON IN A COMA...
I AM THE ONLY PERSON IN THIS GODFORSAKEN BUILDING WHO HAS NO TV, NO
ROOM MATE, NO STEREO, NO CHILDREN RUNNING AROUND, NO PETS, NO DOG
LIKE YOU, YOU WHO HAVE A FEROCIOUS DOG WHO BARKS ALL DAY AND ALL NIGHT
AND YOU FUCKING SCARE ME WITH THAT AWFUL DOG BECAUSE YOU KNOW THAT I
AM FRIGHTENED BY YOUR DOG AND YOU HARASS ME AND HARASS ME AND
HARASS ME AND THE FUCKING MANAGEMENT DOESN'T DO ANYTHING.
IT IS YOU WHO . MAKE NOISE, IT IS...
YOU AND YOUR ILLEGAL AIRBNB RENTALS WHO MAKE NOISE...GET LOST AND
NEVER COME BACK AGAIN OTHERWISE...
JOHN:
(Loudly)
ITS YOU WHO MAKE NOISE, YOU ALWAYS MAKE TOO MUCH NOISE WHEN YOU WALK
INSIDE YOUR APARTMENT...
SYBIL: (Hysterical)
GET LOST, YOU MONSTER, GET LOST. GO AWAY. YOU HAVE DRIVEN ME CRAZY
FOR YEARS. YOU ARE THE REASON THAT I CAN'T FUNCTION IN MY OWN HOME.
YOU HAVE BEEN KNOCKING AT MY DOOR FOR THIS OR THAT FOR QUATER OF A
CENTURY. GET LOST OR I WILL...
JOHN:
WHAT WILL YOU DO? SHOOT ME? YOU COLORED BITCH
SYBIL: (Shut the door on him)
THE REASON I HAVEN'T FINISHED ANY OF MY PLAYS, THE REASON I CAN'T FIND
ANY OF MY PLAYS IS HIM. I HAVE A MONSTER ON MY BACK FOR YEARS AND YEARS.
DID YOU HEAR ANY NOISE EXCEPT THE BARKING OF THE DOG?
DID YOU SEE ME MAKING ANY NOISE?
WHEN I COMPLAIN TO THE RACIST MANAGEMENT THEY HANG UP ON ME CALLING
ME, HYSTERICAL" WHO WOULDN'T BE HYSTERICAL DEALING WITH SUCH AN
AWFUL NEIGHBOR?
THE MANAGEMENT HAS AN EXCUSE. THEY HATE IMMIGRANTS, THEY HATE PEOPLE
OF COLOR. THEY HATE WOMEN. THEY LIKE HIM. THIS WHITE PURE AMERICAN
FELLOW LIKE THEM.
THEY ALWAYS ACCUSE ME FOR YELLING. "YOU ARE YELLING." "DON'T YELL"
YOU ARE YELLING" STOP YELLING" "YOU ARE YELLING" . AND THEN THEY HANG UP
ON ME. THEY JUST WANT ME TO GET OUT SO THEY AN HAVE A RICH NEW YORKE
WHO CAN PAY 5 THOUSAND A MONTH. WHERE AM I GOING TO GO? SO I FUCKING
TAKE THE ABUSE DAY AND NIGHT. HOW CAN I CONCENTRATE ON MY
PLAYWRITING? HE KEEPS ACCUSING ME BLATANTLY RIGHT TO MY FACE TO
DISTURB ME, TO AGITATE ME AND TRUST ME I DO GET DISTURBED.
I AM AN ARTIST.
I AM ALSO A THIN SKINNED IMMIGRANT ARTIST WHO IS ON THE DARKER SIDE.
I AM AN IMMIGRANT WOMAN OF COLOR ARTIST AND HE IS PURE, WHITE AMERICAN
IT'S HIS COUNTRY. HE CAN BOTHER ME. IT'S HIS FUCKING RIGHT.
WHEN I COMPLAIN TO THE MANAGEMENT ABOUT THIS NEIGHBOR'S HARASSMENT,
THEY SAY, "PROVE IT...PROVE IT." HOW AM I GOING TO PROVE IT?
MY PROOF OF HIS HARASSMENT IS THAT I HAVE NEVER BEEN ABLE TO
CONCENTRATE FULLY O FINISH A PLAY.
I START A PLAY, I WRITE A SCENE OR TWO AND HERE COME
THE BANGING ON THE PIPPES, (sound of banging on the pipe)
SYBIL:
WHAT THE HELL DO YOU WANT FROM ME?
JOHN: (0ff stage)
WATER IS COMING DOWN
SYBIL:
WHAT?
JOHN: (stick his head in the door which Sybil forgot to lock)
WATER IS COMING DOWN TO MY BATHROOM FROM A LEAK
IN YOUR BATHROOM
SYBIL:
(To the audience)
DO YOU SEE ANY LEAK COMING DOWN?
DO YOU SEE ANY BATHROOM HERE/
DID YOU SEE ME OPENING A WATER TAP?
DID YOU SEE ME WASHING MY FACE?
DID YOU SEE ME BRUSH MY TEETH?
DID YOU SEE ME WATER MY PLANT?
DID YOU SEE ME DRINKING ANY WATER?
I AM ALWAYS DEHYDRATED, AFRAID OF TURNING
THE WATER ON IN CASE THE MONSTER ACCUSE ME
OF A DAMN LEAK...
HE IS BEEN FALSLY ACCUSING ME OF A LEAK COMING
FROM MY BATHROOM TO HIS FUCKING WALLS OR CEILING
OR FLOOR AD THE MANAGEMENT DOESN'T GIVE A SHIT
I AM SO AFRAID OF THIS MOTHER FUCKER IN AN MANHATTAN APT
THAT I HAVE LOCKED MY BATHROOM...
I AM NOT ALLOWED IN BY MY OWN RULING.
I DO NOT TURN ANY WATER ON...
I HAVEN'T TAKEN A SHOWER SINCE A YEAR.
I AM SO DIRTY NOW THAT I SMELL LIKE A RAT
I AM SURE YOU SMELLED SOMETHING ROTTEN WHEN YOU CAME IN
THATS ME
SMELLY ME
FILTHY ME
WHEN I IMMIGRATED HERE IN THIS DREAMLAND
I SMELLED LIKE THE PERFUMES OF ARABIA
NOW I SMELL ROTTEN
NOW I SMELL LIKE SHIT
HE IS ALWAYS ACCUSING ME OF A LEAK...
MAYBE HE HIMSELF IS LEAKING SOME STUFF INSIDE HIS PANTS
AND ACCUSING ME INSTEAD.
MAYBE THIS BASTARD IS SUFFERING FROM SOME ILLNESS
WHERE HE IMAGINES LEAKS AND SOUNDS OF THE DRUMS,
LOUD TV
AND PEOPLE SHOUTING AT EACH OTHER IN MY APT
DO YOU SEE ANY ONE ELSE HERE BESIDE ME?
IT'S ME WHO SHOUTS AFTER HE BOTHERS ME CONSTANTLY
AND IT'S ONLY ME WHO SHOUTS (shouts and shouts) AND SHOUTS
AND KEEP SHOUTING LIKE A MAD WOMAN...
DO YOU SEE ANY TV HERE?
DO YOU HEAR ANY MUSIC PLAYING/
I LOVE MUSIC
I ALWAYS USED TO LISTEN TO MUSIC AND DANCE WITH IT
I HAVE SO MANY CD'S, THOUGH THEY ARE OUT OF FASHION
BUT I HAVE THEM IN MY ATTIC...
I HAVE ALGERIAN MUSIC, NIGERIAN MUSIC, LATIN AMERICAN MUSIC,
PUNJABI MUSIC, URDU MUSIC, PERSIAN MUSIC, INDIAN BHNGRA MUSIC,
BEATLES, DOORS, MO TOWN MUSIC, OH! HOW I LOVE THAT MUSIC...
WHEN I IMMIGRATED HERE THIS WAS NOT THE LAND OF HORROR
BECAUSE THERE WERE NO HORRIBLE NEIGHBORS...
THEY DIDN'T LIVE IN THE EAST VILLAGE
THEY WERE TOO RICH TO LIVE IN THE EAST VILLAGE
I USED TO TAKE TWO SHOWERS A DAY...
BLAST MY CHARLES BROWN AND DIANA ROSS
AND TAKE SHOWERS AND THEN DANCE NAKED...
THAT WAS FREEDOM
AMERICAN FREEDOM
THERE WERE HOMELESS PEOPLE IN THE PARK
THEY WERE MY FRIENDS
I WILL BRING SHERRY, MY HOMELESS GIRL FRIEND
AND TELL HER TO FEEL FREE TO TAKE A SHOWER
AND SHE WOULD OFTEN
AND THEN I WOULD MAKE HER A CUP OF TEA
AND WE WOULD SMOKE CIGARETTES...
NO, I DIDN'T SMOKE MARIUANA...
IT WASN'T SO GOOD HERE, STALE TASTE
ONLY IN MY COUNTRY WHERE WOMEN ARE CONSIDERED
OPPRESSED BY WESTERN STANDARDS
ONLY THERE I SMOKED JOINTS WTH ONE OF MY COUSINS
WE WOULD GET HIGH AND THEN TAKE A RIDE IN HIS OPEN SPORTS
CAR AND LAUGH AND LAUGH AND LAUGH
MY JET BLACK LONG HAIR WOULD FLOW WITH THE WIND
LIKE IN THE MOVIES
AND THEN WE WOULD STOP ON THE ROADSIDE TO HAVE
GHARAM, GHRAM JALEIBIES...A SWEET, HOT AND MELTING
WITH HONEY.
AFTER ONE GETS HIGH ONE WANTS SWEETS...
THATS HOW IT WAS BACK HOME...
I WONDER WHY I CAME HER?
THIS QUESTION BOTHERS ME
PEOPLE COME HERE FOR FREEDOM
BUT I WWAS TAKING A RIDE IN A SPORTS CAR
STONED LIKE CRAZY, LAUGHING LIKE CRAZY
AND HAD NO FUCKING NEIGHBOR ...TO HARASS ME 24/7
WITHE HOMELESS IN THE EAST VILLAGE I FELT MUCH MORE FREE
THEN THESE RICH CRIMINALS BOTHERING US THE FEW REMAINING
ARTISTS IN THIS REAL ESTATE HEAVEN...
I WISH I COULD JUST GET AWAY FROM HIM
HOW THE FUCK DID I GET STUCK ABOVE HIM?
(noise of banging on the door)
SYBIL:
(to John who is at her door again)
I SWEAR IF YOU DON'T LEAVE ME THE HELL ALONE...
JOHN: (stick his head in the door)
(Smirking)
WHAT WILL YOU DO? WHAT WILL YOU DO? SHOOT ME? HAHAHAHA
SYBIL:
DO YOU WANT ME TO SHOOT YOU? I THINK YOU DO...I WOULD HAVE SHOT YOU
LONG TIME AGO BUT I DON'T HAVE A OTHER FUCKING GUN...
EVERYONE IN THIS COUNTRY HAS A GUN
EVERY ONE IS SHOOTING EVERYONE ELSE RIGHT AND LEFT
ONLY ME, ONLY FUCKING ME HASN'T SHOT YOU YET
IF I ONLY HAD A GUN YOU WILL BE DEAD AS DOOR NOB LONG TOIME AGO.
JOHN:
IF YOU DON'T TAKE CARE OF THE ATER COMING DOWN
YOU WILL BE SORRY.
SYBIL:
I AM SORRY NOW.
I AM SORRY THAT I GOT STUCK WITH YOU FOR YEARS
I AM SORRY THAT I DON'T How are you?VE A GUN
I AM GOING TO GO TO THE MAYORS OFFICE TOMORROW
TO COMPLAIN ABOUT YOU.
JOHN:
(smirks and make fun of her)
MAYOR? OUR MAYOR HAS THE TIME TO LISTEN TO THE LIKES OF YOU?
IT WILL TAKE YOU AT LEAST ONE YEAR TO MAKE AN APPOINTMENT
AND THE MEAN TIME YOU WILL BE SORRY FOR BEING BORN
MY BATH ROOM IS DAMAGED BECAUSE OF THE LEAK
I WILL GET THE REPAIRS DONE AND YOU WILL HAVE TO PAY
AND PAY A LOT OF MONEY. I AM GOING TO GIVE MYSELF
A BRAND NEW BATHROOM WITH MARBLE TILES AND ALL
AND YOU WILL HAVE TO PAY THROUGH YOUR FUCKING MINORITY NOSE.
SYBIL:
(screams and screams and bang the door on him and lock the door this time)
GO FUCK YOUR SELF. GO FUCK YOUR SELF.
YOU PIECE OF SHIT
YOU PICE OF FILTH
GO FUCK YOUR MOTHER WHO GAVE BIRTH TO THE LIKES OF YOU...
GO FUCK YOUR SELF..... (screams)
HOW THE HELL AM I GOING TO CONCENTRATE ON WRITING?
HOW AM I GOING TO HAVE ANY CREATIVE IDEA AMONGST
THIS UNENDING HORROR?
WHAT A SHITTY LIFE?
WHAT AN AWFUL MESS WITHOUT ANY SOLUTION?
THIS FUCKING ASS HOLE BOTHERS ME, ACCUSES ME FALSLY..
HARASS ME ALL DAY LONG AND ALL NIGHT LONG
AND MY UNFINISHED PLAY IS FINALLY BOOKED...
MY LAST CHANCE TO HAVE ANY KIND OF A CAREER
AND I AM AMONGST A MONSTER WHO WILL KILL ME
EVENTUALLY...I WILL HAVE A HEART ATTCK BECAUSE OF ALL THIS STRESS
BEFORE I BUY A GUN OR GET AN APPOINTMENT WITH ANY OF THESE
ORGANIZATIONS SUCH AS URBAN JUSTICE, LEGAL AID LAWYER, HUMAN RIGHTS
CENTERS, MAYOR'S OFFICE, THE CITY COUNCIL'S OFFICE...
SOME WELL WISHERS GAVE ME ALL THOSE NAMES TO SEEK FREE HELP
AND I HAVE TRIED BUT EVERY TIME I GO TO ANY OFFICE, THEY INFORM ME THAT
THE PERSON I WANT TO SEE IS OUT FOR LUNCH OR GONE HOME FOR THE DAY.
IT'S AMAZING, THE DAY How are you?D JUST STARTED AND THE PERSON OF MY
INTEREST HAS ALREADY GONE HOME FOR THE DAY.
YOU SEE WHEN YOU SEEK HELP FOR FREE
THEY ALREADY KNOW THAT YOU ARE THE LEAST IMPORTANT PERSON
DOWN AT THE BOTTOM OF THE LADDER AND BY THE TIME MY
TURN WILL COME, IWOULD HAVE BEEN THROWN OUT OF THE
BUILDING AND WOULD BE A HOMELESS PERSON.
I WISH THE HOMELESS WERE STILL IN TOMPKIN SQUARE PARK SO I WILL HAVE
SOME COMPANY...
BUT THEY ARE ALL DEAD AND GONE...I WONDER WHERE DID THEY ALL GO?
I MEAN THE ONES WHO ARE STILL ALIVE...
THEY WERE CHASED OUT OF THE PARK BY POLICE MEN ON HORSES...
BEATING AND ARRESTING THEM...
IT WAS A SCARY SIGHT.
SINCE THEN THE WORD HOMELESS HAS ALWAYS SCARED ME
AND THIS BASTARD, WHITE FASCIT NEIGHBOR OF MINE
IS TRYING VERY HARD TO MAKE ME A HOMELESS IMMIGRANT
WOMAN OF COLOR...
I HAVE TO BUY A GUN BEFORE THAT HAPPENS
BUT RIGHT NOW I HAVE TO FUCKING LET HIM GO
FROM MY MIND AND CONCENTRATE ON MY UNFINISHED PLAY
AND GET READY TO FINISH IT AND SUBMIT IT
AND THAT'S MY ONLY CHANCE OF A DECENT FUTURE
AND THAT IS IN CASE IT'S A SUCCESS AND MAKE
PRODUCERS A LOT OF MONEY
THEN FOR SURE I WILL BUY MY OWN TOWN HOUSE LIKE ALL THE
SUCCESSFUL PLAYWRIGHTS WHO ARE ALWAYS CHERISHED BY THEIR
OTHER SUCCESSFUL PLAYWRIGHT WHO LIVES NEXT TO THEM IN THEIR
OWN TOWNHOUSES...
WHAT A GLAMAROUS LIFE...
THAT'S REAL AMERICA
THAT'S REAL SUCCESS...
A PLAYWRIGHT WITH A TONY, A PULITZER, A BROADWAY SHOW AND A TOWN
HOUSE OF HIS OWN...
AND ME?
PLEASE...
I HAVEN'T TAKEN A SHOWER IN AMERICA FOR THE LAST ONE YEAR
BECAUSE OF THE POWERFUL AMERICAN NEIGHBOR AND NO GOLES OR
URBAN JUSTICE HAS COME TO MY RESCUE.
MAYBE I SHOULD SHOOT MYSELF.
PROBLEM STILL REMAINS.
NO GUN.
I NEVER HAVE THE THINGS I NEED WHEN I NEED THEM.
I WAS FOR SURE NOT EQUIPPED FOR AMERICA.
FOR SURE NOT EQUIPPED FOR THIS CULTURAL HUB, NYC....
Wednesday, October 30, 2019
Friday, October 25, 2019
DANCERS
DANCERS:
A SHORT PLAY
BY
BINA SHARIF
copyright:binasharif 2019
CHARACTERS
JESSICA: A WOMAN OF COLOR
MARY: A WHITE WOMAN
TWO DANCERS PREPARING OR A PERFORMANCE
(Jessica has just finished her rehearsal
Mary is at the bar doing her warm ups.
Jessica approaches her when Mary finishes
JESSICA:
ARE YOU ALRIGHT MARY?
MARY:
(In a very strange mood which is kind of un-expected)
YES, WHY? WHY DO YOU ASK?
JESSICA:
BECAUSE YOU SEEM PALE
MARY:
THANKS FOR YOUR CONCERN BUT I AM ALRIGHT AND WHY SHOULD I NOT LOOK
PALE? I AM PALE. I AM OF IVORY SHADE WHICH LOOKS AS PALE AS A PALE PEARL
AND I LOOK THAT WAY...UNLIKE YOU...
MARY:
WHAT? UNLIKE ME? WHAT DO YOU MEAN?
JESSICA:
YES, THAT'S WHAT I MEAN. UNLIKE YOU. YOU WHO COME FROM SOME GOD
FORSAKEN HOT DESERT AND LOOK LIKE AS IF SOME ONE PAINTED YOUR FACE
YOUR ARMS, YOUR LEGS, YOUR WHOLE BODY WITH DARK CHARCOAL, WITH
BOILING COAL AND HOT LAVA AND YOU LOOK AND SMELL LIKE JET BLACK INK
ALWAYS BOTHERING ME ABOUT MY SKIN COLOR, INSTEAD OF ACKNOWLEDGING
THAT YOU ARE JEALOUS OF MY IVORY COMPLEXION. AT THE SAME TIME YOU
PRETEND TO BE NICE AND CONCERNED, ALWAYS ASKING ME, "WHY DO I LOOK SO
PALE? AM I ALRIGHT? AM I FEELING WELL."
LET E TELL YOU ONCE AND FOR ALL. I LOOK PALE BECAUSE I AM PALE. I AM WHITE.
NOT OFF WHITE OR OFF OFF WHITE BUT WHITE, PURE WHITE. I AM NOT JET BLACK
LIKE YOU AND YOU ARE JEALOUS, JEALOUS OF MY BEAUTY, MY DELICATE AND
FRAGILE SKIN UNLIKE YOUR SKIN WHICH IS LIKE A PARCHMENT STRETCHED OUT
LIKE TOUGH LEATHER OF CHOCOLATE LAYERING .
THERE IS NO DIFFERENCE BETWEEN YOUR SKIN COLOR AND COLOR OF COAL.
YOU MUST COME FROM COAL COUNTRY. YOU MUST COME FROM THE KINGDOM
OF BLACKNESS, BLACK AS A DEEP DARK NIGHT.
YOU WHO HATES YOURSELF, YOU WHO WANTS TO BE LIKE ME, YOU WHO WANTS TO
, SMELL LIKE ME, INSTEAD YOU WISH THAT MY COMPLEXION IS BECAUSE OF SOME
KIND OF SICKNESS, CONSUMPTION PERHAPS AND YOU WANT TO SHOW EMPATHY
TOWARDS ME BUT MY SWEET BLACK HONEY, DON'T WORRY. I AM NOT GOING TO
.
DROP DEAD ANY MINUTE SOON.
I AM WELL ENOUGH TO DANCE. HEALTHY ENOUGH TO DANCE AND BREATH
FREEDOM, FIT ENOUGH TO LOVE, TO LAUGH, TO CONSUME, TO SHOP, TO TRAVEL,
TO LIVE, TO LIVE, TO LIVE FOREVER.
IT'S YOU WHO AFTER SEEING ME DAY AFTER DAY CAN'T BREATH.
IT'S YOU WHO IS GOING TO DIE OF YOUR BLACKNESS OR A HEART ATTACK SOON.
I HOPE YOU STOP BREATHING SOON SO I CAN GET RID OF YOU AND YOUR
MANIPULATIVE PHONY CONCERNS ABOUT MY WELL BEING.
JESSICA:
(In total shock, Her body is completely still. She is unable to move, unable to react, unable to
comprehend and absorb what just happened to her. She always knew that she lives in a white an
black world, she knew she is surrounded by racism, bigotry, unpleasantness, but have never
experienced these kinds of emotions, this kind of emotional trauma of such blatant racist attack on
.her person. She started to grasp for air. She started struggling...struggling to breath. She couldn't
breath. She finally collapsed on the dance floor.)
MARY:
( Jubilant)
I KILLED HER. I FINALLY KILLED HER. I GOT RID OF THE NEGRESS IN TEN SECONDS
WHAT THIS COUNTRY COULDN'T ACHIEVE IN 300 YEARS. I ACHIEVED IT IN A
FRACTION OF A SECOND. I FINALLY HELPED END THE WHITE AND THE BLACK
PROBLEM. ALL THIS BULLSHIT...WE HAVE TO BE POLITICALLY CORRECT TOWARDS
BLACKS, TOWARDS PEOPLE OF COLOR. FUCK PEOPLE OF COLOR. I WANT TO LIVE
AMONGST WHITE PEOPLE AND WHY NOT? I AM WHITE, I WANT TO BE AMONGST
WHITE PEOPLE WHO ARE ALL PALE COMPLEXIONED, THIN BODIED, CLAD IN PALY
COLORED CHIFFON SCARVES, SILK GOWNS, CASHMERE JUMPERS AND DANCE ALL
NIGHT WITH TALL, WHITE PALE RICH MEN ALL NIGHT.
I DON'T EVEN WANT BLACK PEOPLE AND PEOPLE OF COLOR AS MY SERVANTS.
THEY GIVE ME TE CREEPS AND I HAVE TO SMILE AND SAY NICE THINGS TO THEM,
HELL NO.
I AM GOING TO SAY RIGHT TO THEIR FACES WHAT WE, THE PALE WHITES OF THIS
ISLAND, THIS VAST WHITE LAND, WE THE OWNERS OF THIS WHITE LAND, WHAT WE
EXACTLY FEEL, HOW WE EXACTLY FEEL ABOUT THEM AND ARE AFRAID OF SAYING
IT BECAUSE OF POLITICAL CORRECTNESS...
CAN YOU IMAGINE WHAT THIS WORLD HAS COME TO...W HAVE TO BE POLITICALLY
CORRECT TO OUR SLAVES NOW?
GIVE E A FUCKING BREAK.
AND YOU BLACK AND BLUE WOMAN OF COLR BITCH, STOP BREATHING ALRIGHT...
IF YOU HAVEN'T DONE SO ALREADY...
I NAM NEVER GOING TO CALL THE AMBULANCE... THAT'S FOR SURE...
HELL YES, NO AMBULANCE IS COMING FOR YOU BITCH BECAUSE i AM NEVER
CALLING 911. GOOD LUCK IN BLACK HELL FULL OF PEOPLE OF COLOR....
A SHORT PLAY
BY
BINA SHARIF
copyright:binasharif 2019
CHARACTERS
JESSICA: A WOMAN OF COLOR
MARY: A WHITE WOMAN
TWO DANCERS PREPARING OR A PERFORMANCE
(Jessica has just finished her rehearsal
Mary is at the bar doing her warm ups.
Jessica approaches her when Mary finishes
JESSICA:
ARE YOU ALRIGHT MARY?
MARY:
(In a very strange mood which is kind of un-expected)
YES, WHY? WHY DO YOU ASK?
JESSICA:
BECAUSE YOU SEEM PALE
MARY:
THANKS FOR YOUR CONCERN BUT I AM ALRIGHT AND WHY SHOULD I NOT LOOK
PALE? I AM PALE. I AM OF IVORY SHADE WHICH LOOKS AS PALE AS A PALE PEARL
AND I LOOK THAT WAY...UNLIKE YOU...
MARY:
WHAT? UNLIKE ME? WHAT DO YOU MEAN?
JESSICA:
YES, THAT'S WHAT I MEAN. UNLIKE YOU. YOU WHO COME FROM SOME GOD
FORSAKEN HOT DESERT AND LOOK LIKE AS IF SOME ONE PAINTED YOUR FACE
YOUR ARMS, YOUR LEGS, YOUR WHOLE BODY WITH DARK CHARCOAL, WITH
BOILING COAL AND HOT LAVA AND YOU LOOK AND SMELL LIKE JET BLACK INK
ALWAYS BOTHERING ME ABOUT MY SKIN COLOR, INSTEAD OF ACKNOWLEDGING
THAT YOU ARE JEALOUS OF MY IVORY COMPLEXION. AT THE SAME TIME YOU
PRETEND TO BE NICE AND CONCERNED, ALWAYS ASKING ME, "WHY DO I LOOK SO
PALE? AM I ALRIGHT? AM I FEELING WELL."
LET E TELL YOU ONCE AND FOR ALL. I LOOK PALE BECAUSE I AM PALE. I AM WHITE.
NOT OFF WHITE OR OFF OFF WHITE BUT WHITE, PURE WHITE. I AM NOT JET BLACK
LIKE YOU AND YOU ARE JEALOUS, JEALOUS OF MY BEAUTY, MY DELICATE AND
FRAGILE SKIN UNLIKE YOUR SKIN WHICH IS LIKE A PARCHMENT STRETCHED OUT
LIKE TOUGH LEATHER OF CHOCOLATE LAYERING .
THERE IS NO DIFFERENCE BETWEEN YOUR SKIN COLOR AND COLOR OF COAL.
YOU MUST COME FROM COAL COUNTRY. YOU MUST COME FROM THE KINGDOM
OF BLACKNESS, BLACK AS A DEEP DARK NIGHT.
YOU WHO HATES YOURSELF, YOU WHO WANTS TO BE LIKE ME, YOU WHO WANTS TO
, SMELL LIKE ME, INSTEAD YOU WISH THAT MY COMPLEXION IS BECAUSE OF SOME
KIND OF SICKNESS, CONSUMPTION PERHAPS AND YOU WANT TO SHOW EMPATHY
TOWARDS ME BUT MY SWEET BLACK HONEY, DON'T WORRY. I AM NOT GOING TO
.
DROP DEAD ANY MINUTE SOON.
I AM WELL ENOUGH TO DANCE. HEALTHY ENOUGH TO DANCE AND BREATH
FREEDOM, FIT ENOUGH TO LOVE, TO LAUGH, TO CONSUME, TO SHOP, TO TRAVEL,
TO LIVE, TO LIVE, TO LIVE FOREVER.
IT'S YOU WHO AFTER SEEING ME DAY AFTER DAY CAN'T BREATH.
IT'S YOU WHO IS GOING TO DIE OF YOUR BLACKNESS OR A HEART ATTACK SOON.
I HOPE YOU STOP BREATHING SOON SO I CAN GET RID OF YOU AND YOUR
MANIPULATIVE PHONY CONCERNS ABOUT MY WELL BEING.
JESSICA:
(In total shock, Her body is completely still. She is unable to move, unable to react, unable to
comprehend and absorb what just happened to her. She always knew that she lives in a white an
black world, she knew she is surrounded by racism, bigotry, unpleasantness, but have never
experienced these kinds of emotions, this kind of emotional trauma of such blatant racist attack on
.her person. She started to grasp for air. She started struggling...struggling to breath. She couldn't
breath. She finally collapsed on the dance floor.)
MARY:
( Jubilant)
I KILLED HER. I FINALLY KILLED HER. I GOT RID OF THE NEGRESS IN TEN SECONDS
WHAT THIS COUNTRY COULDN'T ACHIEVE IN 300 YEARS. I ACHIEVED IT IN A
FRACTION OF A SECOND. I FINALLY HELPED END THE WHITE AND THE BLACK
PROBLEM. ALL THIS BULLSHIT...WE HAVE TO BE POLITICALLY CORRECT TOWARDS
BLACKS, TOWARDS PEOPLE OF COLOR. FUCK PEOPLE OF COLOR. I WANT TO LIVE
AMONGST WHITE PEOPLE AND WHY NOT? I AM WHITE, I WANT TO BE AMONGST
WHITE PEOPLE WHO ARE ALL PALE COMPLEXIONED, THIN BODIED, CLAD IN PALY
COLORED CHIFFON SCARVES, SILK GOWNS, CASHMERE JUMPERS AND DANCE ALL
NIGHT WITH TALL, WHITE PALE RICH MEN ALL NIGHT.
I DON'T EVEN WANT BLACK PEOPLE AND PEOPLE OF COLOR AS MY SERVANTS.
THEY GIVE ME TE CREEPS AND I HAVE TO SMILE AND SAY NICE THINGS TO THEM,
HELL NO.
I AM GOING TO SAY RIGHT TO THEIR FACES WHAT WE, THE PALE WHITES OF THIS
ISLAND, THIS VAST WHITE LAND, WE THE OWNERS OF THIS WHITE LAND, WHAT WE
EXACTLY FEEL, HOW WE EXACTLY FEEL ABOUT THEM AND ARE AFRAID OF SAYING
IT BECAUSE OF POLITICAL CORRECTNESS...
CAN YOU IMAGINE WHAT THIS WORLD HAS COME TO...W HAVE TO BE POLITICALLY
CORRECT TO OUR SLAVES NOW?
GIVE E A FUCKING BREAK.
AND YOU BLACK AND BLUE WOMAN OF COLR BITCH, STOP BREATHING ALRIGHT...
IF YOU HAVEN'T DONE SO ALREADY...
I NAM NEVER GOING TO CALL THE AMBULANCE... THAT'S FOR SURE...
HELL YES, NO AMBULANCE IS COMING FOR YOU BITCH BECAUSE i AM NEVER
CALLING 911. GOOD LUCK IN BLACK HELL FULL OF PEOPLE OF COLOR....
DANCERS
DANCERS
MARY
JESSICA
DANCERS
DIRECTION:
(When Mary came in the rehearsal room, Jessica was already at the bar and didn't seem like the person Mary thought she knew. so she waited near the bar till Jessica finished her exercises and
then went to her.
MARY:
ARE YOU ALRIGHT JESSICA?
JESSICA:
YES,WHY? WHY DO YOU ASK?
MARY:
BECAUSE YOU SEEM PALE
JEESSICA:
THANKS FOR YOUR CONCERN. I AM ALRIGHT.
AND WHY SHOULD I NOT LOK PALE? I AM PALE.
I AM OF IVORY SHADE WHICH IS AS PALE AS A PALE PEARL
MARY
JESSICA
DANCERS
DIRECTION:
(When Mary came in the rehearsal room, Jessica was already at the bar and didn't seem like the person Mary thought she knew. so she waited near the bar till Jessica finished her exercises and
then went to her.
MARY:
ARE YOU ALRIGHT JESSICA?
JESSICA:
YES,WHY? WHY DO YOU ASK?
MARY:
BECAUSE YOU SEEM PALE
JEESSICA:
THANKS FOR YOUR CONCERN. I AM ALRIGHT.
AND WHY SHOULD I NOT LOK PALE? I AM PALE.
I AM OF IVORY SHADE WHICH IS AS PALE AS A PALE PEARL
THERAPY OF A DREAM PLAY
THERAPY OF A DREAM PLAY
BY
BINA SHARIF
copyright:binasharif 2019
the play includes following playlets. (The play is about writing the play under
calm and peaceful atmosphere in the playwright's own home but unfortunately
she has a nasty neighbor who is racist and aggressive and at all hours of day and night disturbs her
concentration with false accusations of complaints such as,
MAKING NOISE: (making noise? she sits for hours to write very quietly, no music, no tv, no pet
no children to run around, but he keeps coming back knocking at her door, knocking at the pipes from down below, ordering her to be quiet)
COMPLAINS OF WATER COMING DOWN A LEAK, A LEAK, A LEAK
(She hasn't
even turned a water tap to drink a drop of water or to brush her teeth or to water the plants
but the neighbor has some kind of agenda against this lady for years but at this moment she is really
getting upset and frustrated because finally after writing many plays she has been invited to submit one of her play for a big opportunity and she us going through many of her plays to decide which one to send or this major grant. So she hasn't slept for many nights, keep looking at certain parts of her
plays to decide which one will fit the bill but her agitation reaches a point where there is no return.)
CERTAIN PLAYS SHE GOES THROUGH IN THE SELECTION PROCESS
SYBIL'S DESPAIR
FUN PLAY
PREDICTION
THE DANCER
THE WINDOW
She finally decide to write a new play and submit that one because it suddenly seem perfect and the name of the play she starts to write is....
THE LEAK, THE RED LEAK.
BY
BINA SHARIF
copyright:binasharif 2019
the play includes following playlets. (The play is about writing the play under
calm and peaceful atmosphere in the playwright's own home but unfortunately
she has a nasty neighbor who is racist and aggressive and at all hours of day and night disturbs her
concentration with false accusations of complaints such as,
MAKING NOISE: (making noise? she sits for hours to write very quietly, no music, no tv, no pet
no children to run around, but he keeps coming back knocking at her door, knocking at the pipes from down below, ordering her to be quiet)
COMPLAINS OF WATER COMING DOWN A LEAK, A LEAK, A LEAK
(She hasn't
even turned a water tap to drink a drop of water or to brush her teeth or to water the plants
but the neighbor has some kind of agenda against this lady for years but at this moment she is really
getting upset and frustrated because finally after writing many plays she has been invited to submit one of her play for a big opportunity and she us going through many of her plays to decide which one to send or this major grant. So she hasn't slept for many nights, keep looking at certain parts of her
plays to decide which one will fit the bill but her agitation reaches a point where there is no return.)
CERTAIN PLAYS SHE GOES THROUGH IN THE SELECTION PROCESS
SYBIL'S DESPAIR
FUN PLAY
PREDICTION
THE DANCER
THE WINDOW
She finally decide to write a new play and submit that one because it suddenly seem perfect and the name of the play she starts to write is....
THE LEAK, THE RED LEAK.
Saturday, October 19, 2019
SO MUCH STRESS...FAR TOO MUCH STRESS FOR ONE LIFE TIME
TOO MUCH STRESS...FAR TOO MUCH STRESS FOR ONE IFE TIME
Wednesday, October 2, 2019
FIVE THOUSAND YEARS OF THERAPY
FIIVE THOUSAND YEARS OF THERAPY
SYBIL GOES BACK TO THERAPIST FOR HER ON-GOING DESPAIR
SYBIL:
I am un-able to decide what to do, which way to go any more...
THERAPST:
What do you mean any more?
SYBIL:
I mean recently
THERAPIST:
Is this a joke?
SYBIL:
What do you mean?
THERAPIST:
How long have you been in therapy?
SYBIL:
As long as I remember
THERAPIST:
Then why did you say, "ANYMORE?"
SYBIL:
I don't know. just said it...
THERAPIST:
Are you aware that you are in therapist's office/
What ever you say here is taken extremely seriously.
It's like being in the police office or in the prosecutor's office,
or in the detective's office. For example, if you say something like,
'I have thoughts of killing so and so" . Or, "I am thinking of killing someone."
That means that you are a dangerous person, a person who needs to be watched.
You can't ust say in court of law, "Oh! I don't know, I just said so and so."
There are consequences of your thoughts which lead to your actions and actions
of violent thoughts can be violent...
SYBIL:
You are scaring me. You are behaving like I have already killed someone and I am on trial and you
are the prosecutor who wants to hang me. I thought you were my therapist who wants to help me...
THERAPIST:
And I am helping you by making you aware that you can't just say things, things which have no
meaning to you but might have a terrible meaning for some one else...
SYBIL:
But I am the one who is in trouble. It's me who need help, it's me who can't make decisions...
THERAPIST:
Since when?
SYBIL:
Since when what?
THERAPIST:
Since how long have you been un-able to make decisions?
SYBIL:
All my life...
THERAPIST:
That's the problem...
SYBIL:
I know that. I know it very well. I have known it for a very long time...
THERAPIST:
And what do you want me to do about it?
SYBIL:
I don't understand what you are saying? I have a disability...
THERAPIST:
Just one disability?
SYBIL:
What do you mean?
THERAPIST:
I asked you if decision making is your only disability?
SYBIL:
As far as I know...
THERAPIST:
You want me to surprise you?
SYBIL:
Surprise me about what?
THERAPIST
About your other disabilities?
SYBIL:
Oh1 my god...
THERAPIST:
Yes, you can say that...but one disability leads to another.
It's like your bad knee. If not treated causes problems to the other knee.
Now you have both knees in trouble. It started with one knee right?
And it went to the other knee, the other knee trying to help you instead you helping
the first knee. Your second knee is more sympathetic to your first knee than you were
and look what happened to your second knee because of your carelessness...
It's just like that. You are disable to decide, right?
SYBIL:
Yes. Right now I am totally un-able to decide about anything
THERAPIST;
So you are disable?
SYBIL:
In some way yes...
THERAPIST:
What do you mean? In some ways?
SYBIL:
In the decision making department
THERAPIST:
And you think you are perfect in other departments?
SYBIL:
Not perfect. Who is perfect?
THERAPIST:
Many people are perfect
SYBIL:
Maybe? But we have been told that human beings are not perfect
THERAPIST:
It's the excuse of disabled people.
SYBIL:
It's not an excuse. It's a fact
THERAPIST:
What fact?
SYBIL:
Fact about human beings. We are capable of making mistakes. We are not perfect.
THERAPIST:
What mistakes imperfect human beings make?
SYBIL:
I don't know. I can' know about the whole human race...
THERAPIST:
Do you know about yourself?
SYBIL:
About myself?
THERAPIST:
Yes, about yourself...what other mistakes have you made beside not being able to
decide about what shoes to wear, or what dress o wear, or what color blouse to buy?
SYBIL:
Yes, I have problems about all the other things you mentioned but those are not the mistakes
those are the decisions. I have told ou again and again that I have a problem making decisions
and you are being hostile and intimidating about my vulnerability...
THERAPIST:
I am not insensitive to your vulnerability. But thats not vulnerability, that's stupidity...
you are now un-able to decide what shoes to wear, what dress to wear, what blouse to buy..
and you are calling me hostile. Do you want me to pamper you and tell you it's ok. it's perfectly
ok to always ask others, "Should i buy black blouse or red blouse? Should I wear sneakers or
heels today? Don't you have any belief in you? Any sense of trust in you? These are ordinary things
if you can't decide about little things how can you decide about big things?
SYBIL:
That's exactly why I am here. Thats exactly why I am paying you my money year after year after
year. I have spent my whole inheritance on this this so called therapy which doesn't give any
answers towards healing but only asks aggressive questions about the problems.
THERAPIST:
Your problems are so immense that aggressive questions have to be asked
SYBIL:
I have no problem except decision making process....
THERAPIST:
Listen to her people...
SYBIL:
What people? You have other people in the room?
THERAPIST:
You see any other person here?
SYBIL:
But you said, "Listen to her people."
THERAPIST:
That was a metaphorical statement
SYBIL:
Why did you have to make a metaphorical statement when there is no body here except us...
THERAPIST:
That's when one makes metaphorical conclusions when there is no one else is around but
you can still see people. That's called, a metaphor ...
SYBIL:
But therapy must not deal with metaphor. Therapy is real. Isn't it? It's between two people,
the patient and the therapist. They are both real. Talking about real problems and trying to find a
solution...
HERAPIST:
W are talking about problems but that doesn't mean we can solve them...
SYBIL:
What? What did you say? Why am I here if you can''t solve my problems? Why am I paying my
money?
HERAPIST:
Money can't solve all the problems. Money actually causes more problems. If you didn't have
money o pay me, you would have tried very hard to solve your own problems. It's because of the
money that you are here. There are two problems here. Your problem about lack of your ability
to decide about important things and petty things and your money. Your money makes you incapable
o solve your own problems. So with the joy of having money you seek help....
SYBIL:
But it's important to seek the advice of an expert if you can't solve problems on your own.
I mean this is America. We are Americans. Help of all kinds is available here. How o dress, how to
sneeze, how to be popular, how to be famous, how to speak properly, how to assert your self without
yelling...I mean if you start yelling, no one takes you seriously...people completely ignore the
problem which made you yell to begin with. All they keep repeating is. "You are yelling. You are
yelling. "Stop yelling" . 'She is yelling" 'You are yelling." She is yelling." and by that time, the
problem which made you yell was totally ignored. So there are experts to go to to seek help...
especially when you have money. Thats what America is all about. Have money, have problems,
and solve them by paying money to the experts like I have been doing for a very long time
but I have a feeling that you are not interested to solve my problem...
THERAPIST:
I am interested. I am very interested to solve your problem. I am an expert. I earn my money
by solving problems. But the problem here is that you hired me for one problem. Your lack of ability
to make decisions. hats what you are paying me for. But your inability to make choices, make
decisions have causes so many other problems...like I gave you he example of one knee problem
which caused the second knee problem, which caused the back problem, legs problem, feet problem,
spine problem but the patient went for physiotherapy only for one knee problem. Patient is paying
only for one knee, one problem, like you and that one single problem has caused so many other
problems that with only one fee, the doctor, the therapist, the physiotherapist can not treat all the
subsequent problems and not ge paid for all the multiple problems. we ae here in America.
Everything is specialized. Different doctor for the foot, different doctor for he mouth, nose, eyes,
liver, kidneys, stomach, Utres, heart, limbs, throat, thyroid, eyes, lymph glands, blood vessels...
I mean you have to pay a lot of money, many different visits, to many different doctors for many
different problems and you fortunately have money.
So if you are serious about treatment , you have to think and decide if you want to be healthy
you have to pay for all the other problems which came from your single problem of not being
able to make decisions. Remember that you came to me years ago...for one problem and
because of that now you have so many more problems...If you are willing to pay me 10 times
more, I will be glad to elp you....
Oh! gee, we went overtime. My next patient must be waiting in the waiting room.
Now I am sure she as well has developed a second problem of being neglected by her
own therapist but that's also your fault, because you have never been able to understand
how the system works here in America...Let me tell you one more time.
Here in America, one problem leads to another problem and that is why we have so many experts
and that's why every you and every one else have to have tons and tons of money to get American
expertise............
SYBIL GOES BACK TO THERAPIST FOR HER ON-GOING DESPAIR
SYBIL:
I am un-able to decide what to do, which way to go any more...
THERAPST:
What do you mean any more?
SYBIL:
I mean recently
THERAPIST:
Is this a joke?
SYBIL:
What do you mean?
THERAPIST:
How long have you been in therapy?
SYBIL:
As long as I remember
THERAPIST:
Then why did you say, "ANYMORE?"
SYBIL:
I don't know. just said it...
THERAPIST:
Are you aware that you are in therapist's office/
What ever you say here is taken extremely seriously.
It's like being in the police office or in the prosecutor's office,
or in the detective's office. For example, if you say something like,
'I have thoughts of killing so and so" . Or, "I am thinking of killing someone."
That means that you are a dangerous person, a person who needs to be watched.
You can't ust say in court of law, "Oh! I don't know, I just said so and so."
There are consequences of your thoughts which lead to your actions and actions
of violent thoughts can be violent...
SYBIL:
You are scaring me. You are behaving like I have already killed someone and I am on trial and you
are the prosecutor who wants to hang me. I thought you were my therapist who wants to help me...
THERAPIST:
And I am helping you by making you aware that you can't just say things, things which have no
meaning to you but might have a terrible meaning for some one else...
SYBIL:
But I am the one who is in trouble. It's me who need help, it's me who can't make decisions...
THERAPIST:
Since when?
SYBIL:
Since when what?
THERAPIST:
Since how long have you been un-able to make decisions?
SYBIL:
All my life...
THERAPIST:
That's the problem...
SYBIL:
I know that. I know it very well. I have known it for a very long time...
THERAPIST:
And what do you want me to do about it?
SYBIL:
I don't understand what you are saying? I have a disability...
THERAPIST:
Just one disability?
SYBIL:
What do you mean?
THERAPIST:
I asked you if decision making is your only disability?
SYBIL:
As far as I know...
THERAPIST:
You want me to surprise you?
SYBIL:
Surprise me about what?
THERAPIST
About your other disabilities?
SYBIL:
Oh1 my god...
THERAPIST:
Yes, you can say that...but one disability leads to another.
It's like your bad knee. If not treated causes problems to the other knee.
Now you have both knees in trouble. It started with one knee right?
And it went to the other knee, the other knee trying to help you instead you helping
the first knee. Your second knee is more sympathetic to your first knee than you were
and look what happened to your second knee because of your carelessness...
It's just like that. You are disable to decide, right?
SYBIL:
Yes. Right now I am totally un-able to decide about anything
THERAPIST;
So you are disable?
SYBIL:
In some way yes...
THERAPIST:
What do you mean? In some ways?
SYBIL:
In the decision making department
THERAPIST:
And you think you are perfect in other departments?
SYBIL:
Not perfect. Who is perfect?
THERAPIST:
Many people are perfect
SYBIL:
Maybe? But we have been told that human beings are not perfect
THERAPIST:
It's the excuse of disabled people.
SYBIL:
It's not an excuse. It's a fact
THERAPIST:
What fact?
SYBIL:
Fact about human beings. We are capable of making mistakes. We are not perfect.
THERAPIST:
What mistakes imperfect human beings make?
SYBIL:
I don't know. I can' know about the whole human race...
THERAPIST:
Do you know about yourself?
SYBIL:
About myself?
THERAPIST:
Yes, about yourself...what other mistakes have you made beside not being able to
decide about what shoes to wear, or what dress o wear, or what color blouse to buy?
SYBIL:
Yes, I have problems about all the other things you mentioned but those are not the mistakes
those are the decisions. I have told ou again and again that I have a problem making decisions
and you are being hostile and intimidating about my vulnerability...
THERAPIST:
I am not insensitive to your vulnerability. But thats not vulnerability, that's stupidity...
you are now un-able to decide what shoes to wear, what dress to wear, what blouse to buy..
and you are calling me hostile. Do you want me to pamper you and tell you it's ok. it's perfectly
ok to always ask others, "Should i buy black blouse or red blouse? Should I wear sneakers or
heels today? Don't you have any belief in you? Any sense of trust in you? These are ordinary things
if you can't decide about little things how can you decide about big things?
SYBIL:
That's exactly why I am here. Thats exactly why I am paying you my money year after year after
year. I have spent my whole inheritance on this this so called therapy which doesn't give any
answers towards healing but only asks aggressive questions about the problems.
THERAPIST:
Your problems are so immense that aggressive questions have to be asked
SYBIL:
I have no problem except decision making process....
THERAPIST:
Listen to her people...
SYBIL:
What people? You have other people in the room?
THERAPIST:
You see any other person here?
SYBIL:
But you said, "Listen to her people."
THERAPIST:
That was a metaphorical statement
SYBIL:
Why did you have to make a metaphorical statement when there is no body here except us...
THERAPIST:
That's when one makes metaphorical conclusions when there is no one else is around but
you can still see people. That's called, a metaphor ...
SYBIL:
But therapy must not deal with metaphor. Therapy is real. Isn't it? It's between two people,
the patient and the therapist. They are both real. Talking about real problems and trying to find a
solution...
HERAPIST:
W are talking about problems but that doesn't mean we can solve them...
SYBIL:
What? What did you say? Why am I here if you can''t solve my problems? Why am I paying my
money?
HERAPIST:
Money can't solve all the problems. Money actually causes more problems. If you didn't have
money o pay me, you would have tried very hard to solve your own problems. It's because of the
money that you are here. There are two problems here. Your problem about lack of your ability
to decide about important things and petty things and your money. Your money makes you incapable
o solve your own problems. So with the joy of having money you seek help....
SYBIL:
But it's important to seek the advice of an expert if you can't solve problems on your own.
I mean this is America. We are Americans. Help of all kinds is available here. How o dress, how to
sneeze, how to be popular, how to be famous, how to speak properly, how to assert your self without
yelling...I mean if you start yelling, no one takes you seriously...people completely ignore the
problem which made you yell to begin with. All they keep repeating is. "You are yelling. You are
yelling. "Stop yelling" . 'She is yelling" 'You are yelling." She is yelling." and by that time, the
problem which made you yell was totally ignored. So there are experts to go to to seek help...
especially when you have money. Thats what America is all about. Have money, have problems,
and solve them by paying money to the experts like I have been doing for a very long time
but I have a feeling that you are not interested to solve my problem...
THERAPIST:
I am interested. I am very interested to solve your problem. I am an expert. I earn my money
by solving problems. But the problem here is that you hired me for one problem. Your lack of ability
to make decisions. hats what you are paying me for. But your inability to make choices, make
decisions have causes so many other problems...like I gave you he example of one knee problem
which caused the second knee problem, which caused the back problem, legs problem, feet problem,
spine problem but the patient went for physiotherapy only for one knee problem. Patient is paying
only for one knee, one problem, like you and that one single problem has caused so many other
problems that with only one fee, the doctor, the therapist, the physiotherapist can not treat all the
subsequent problems and not ge paid for all the multiple problems. we ae here in America.
Everything is specialized. Different doctor for the foot, different doctor for he mouth, nose, eyes,
liver, kidneys, stomach, Utres, heart, limbs, throat, thyroid, eyes, lymph glands, blood vessels...
I mean you have to pay a lot of money, many different visits, to many different doctors for many
different problems and you fortunately have money.
So if you are serious about treatment , you have to think and decide if you want to be healthy
you have to pay for all the other problems which came from your single problem of not being
able to make decisions. Remember that you came to me years ago...for one problem and
because of that now you have so many more problems...If you are willing to pay me 10 times
more, I will be glad to elp you....
Oh! gee, we went overtime. My next patient must be waiting in the waiting room.
Now I am sure she as well has developed a second problem of being neglected by her
own therapist but that's also your fault, because you have never been able to understand
how the system works here in America...Let me tell you one more time.
Here in America, one problem leads to another problem and that is why we have so many experts
and that's why every you and every one else have to have tons and tons of money to get American
expertise............
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