SO MANY PEOPLE
I haven't had any dreams recently because I haven't been sleeping well
but last night I dreamt all night and slept all night, thank god....
I was in this new performance space on first Ave and 9th street
some kind of activity was going on and there were lots and lots of people
People upstairs and people downstairs, all happy and chatting and chatting away
And In my dream I say to myself, "Look, how people are enjoying themselves and how so
many of them have gathered, and they really look happy... and its right in your own neighborhood
, not very far to go, why don't you remember that these things are in your own neighborhood
and you can also join these people and laugh and not feel lonely which you often do..."
I go upstairs and there are people enjoyig and I go downstairs and there are people enjoying
people evrywhere...a party I guess....
And then I ask a woman, that I need to see John Magrath....(He is a dear friend and I haven't seen him
for a long time) and she points towards a table where three men are sitting and says, "He is over
there" Oh! my god" I say. "John is here" And I go to that table and he is not John Magrath from
Manchester
And I am so disappointed and then some one is taking a selfie and other photos and I realize
that I am stark naked and some one has already taken a picture.
I am surprised at my situation. I remeber that I was wearing a black slip dress...
Where is it? What happened to it? How come I am naked? Did I go to the bath room, took my dress
off for some reason and left it there? I have no Idea...Then I go upstairs. I am still looking for John
Magrath but can't find him...somehow I don't find things I am fond of so easily. The big hall is full of
people, all happy..."That's amazing" I say to myself. Its NY and they are all so happy?"
Amazing...No one notice that I am totally naked except one charming woman who is with her
girl friend and is really enjoying herself. She says to me, "YU ARE NAKED" and laughs, she
laughs a lot. I say to her, "I have no idea how I ended up like this and I am desperately looking or my
dress and can't find it. She laughs again. She was a truelly happy person.
She and her girl friend are running around, now going to the basement for some more merriment and
before she leaves she tells me, 'If you want to have fun and lots of wine go to 32 GRAMACY
PLACE.....
AND THEN I WOKE UP....
I MUST GO AND LOOK FOR 32 GRAMACY PARK.....
Friday, September 7, 2018
Monday, September 3, 2018
DREAM WTHIN A DREAM
DREAM WITHIN A DREAM
SCENES....(POSSIBILTY OF CHANGE IN THE ORDER OF SCENES)
ALL ACTORS DRESSED IN WHITE
SCENE ONE....ACTORS ENETR IN THE DARK WITH FLASH LIGHTS, THEY SCATTER
THEMSELVES ALL OVER STAGE, MOVE IN A SLOW MOTION MANNER, CLASSICAL
MUSIC PLAYS IN THE BACK GROUND. TWO OF THE ACTORS, ME AND KEVIN SIT
DOWNSTAGE LEFT AT A COFFEE TABLE. THE REST OF THE ACORS SIT ON THE SIDES
OF THE THEATER
SCENE TWO: DANCER DANCE CENTER STAGE
SCENE THREE: CAFE TABLE SCENE....WAITER AND TWO ACTORS ?
(THE LADY ACTRESS ASKS ANOTHER ACTRESS,)
ACTRESS: WHAT'S YOUR NAME?
2ND ACTRESS; SALOME
MALE ACTOR: SALOME, DANCE FOR ME
ACTRESS: DON'T DANCE MY DEAR, DON'T DANCE
MALE ACTOR: SALOME DANCE FOR ME...I WILL GIVE YOU A GREAT REVIEW
I AM ALSO A CRITIC AND A VERY POWERFUL ONE. YOUR LIFE WILL
IMMEDIATELY CHANGE AFTER MY REVIEW. YOU WILL BE THE DARLING OF NY
THEATER, LONDON THEATER, YOU WILL HAVE THE TONY, THE OLIVIER AWARD,
MONEY, MOVIE CONTRACTS, JUST DANCE FOR ME AND YOU WILL HAVE EVERY
THING YOU HAVE EVER WANTED IN LIFE AND EVEN MORE, MORE, MORE, MORE.
OUR CULTURE DEMANDS MORE, MORE, MORE. NOTHING IS ENOUGH AND WITH MY
DAZZLING REVIEW YOU WILL HAVE MORE AND MORE AND MORE OF EVERYTHING.
MONEY, FAME, SEX,LOTS OF SEX, I ROMISE YOU, EVERY PRODUCER WANTS TO
SLEEP
WITH A MOVIE STAR AND YOU MIGHT EVEN HAVE LOVE WHICH IS VERY HARD TO
HAVE IN OUR CAPITALIST SOCIETY BUT YOU MIGHT JUST HAVE BUCKETS FULL OF
FAKE LOVE....THAT'S GOOD ENOUGH. ALL YOU HAVE TO DO SALOME IS TO DANCE
FOR ME.
ACTRESS: SALOME, DON'T DANCE FOR HIM. HE BRINGS NOTHING BUT
DESTRUCTION. THE WHITE MAN IS BACK TO DESTROY.
MALE ACTRESS (TO THE ACTRESS) YOU NKEEP QUIET. MIND YOUR OWN BUSINESS.
ITS BETWEEN ME AND SALOME AND I KNOW SHE WILL DANCE FOR ME. NO
ACTRESS
CAN AFFORD NOT TO OBEY THE MOST POWERFUL CRITIC IN THE WORLD.
ACTRESS: BUT YOU ARE NOT OF THIS WORLD....
MALE ACTOR: I AM OF THIS WORLD AND OF THE OTHER WORLD. I BELONG TO
HEAVEN AND HELL. THAT IS MY POWER. ONCE POWERFUL, ALWAYS POWERFUL.
I TRANSMIT MY POWER TO YOU SALOME, DANCE FOR ME...
SCENE THREE: ONE OF THE ACTRESS GETS UP AND STARTS TO DANCE...EROTIC AND
EXOTIC DANCE. (MIDDLE EASTERN NUSIC PLAYS)
SCENE FOUR:
MALE ACTOR: BRAVA, BRAVA, BRAVA...
ACTRESS: END OF THE WORLD IS HERE...
MALE ACTOR: WORLD HAS ALREADY ENDED SO THERE IS NO DANGER
(TO SALOME) GET READY FOR THE REWARD
ACTRESS: (TO SALOME) HE IS A LIER. LIKE A POLITICIAN WHO PROMISE THE WORLD
BEORE HIS WIN AND AFTER THAT HE GOES AND PLAYS GOLF. THATS IT. HONEY, HE
WON'T EVEN REMEBER THAT YOU EVER DANCED FOR HIM. I BET YOU HE WON'T
EVEN MENTION YOU IN HIS REVIEW IF THERE IS A REVIEW AT ALL IF THE PLAY
EVER
BEGINS. ONLY DEATH IS GOING TO BE YOUR REWARD. BUT MAYBE
YOU DON'T CARE ABOUT IT ANY MORE. MAYBE YOU ARE ALREADY DEAD. WHY DO
YOU WANT A TONY WHEN YOU ARE ALREADY DEAD?
MALE ACTOR: TONY AND OLIVIER ARE THE TWO MOST IMPORTANT AWARDS FOR A
SERIOUS ACTRESS LIVING OR DEAD....(TO SALOME) YOU WILL BE REWARDED..
.
YOU MIGHT HAVE TO DANCE ONE MORE TIME BEFORE THE PLAY ENDS AND THIS
TIME WITH SEVEN VEILS....THE VEILS WERE MISSING, SEEMS LIKE I CAME TO
REVIEW A VERY LOW BUDGET PERFORMANC E...OH! OH! THE ACTORS ARE IN
TROUBLE ...ME BROADWAY CRITIC , A GIANT, A GOD OF THE NY THEATER SITTING
IN
THIS DARK ROOM WITH NO SET, NO PROPS, NO VEIL FOR SALOME, NOT EVEN AN
ACTOR PLAYING A WAITER IN SIGHT... (CLAPS HIS HANDS) LET THE
PLAY BEGINS...(DANCER GOES BACK AND SIT DOWN)
ACTRESS: WAIT, I WANT MY TEA FIRST I CAN'T BEGIN ANYTHING WITHOUT MY
FIRST CUP OF TEA... WHERE IS THE WAITER?
SCENE FIVE: WAITER, (UPSTAGE RIGHT IN A SPOT LIGHT)
(DOES MORE OF HIS MONOLOGUE)
SCENE SIX: LITLE LIGHT ON THE DANCERS.
DANCER NO 1: I AM RESTLESS
DANCER NO 2: ME TOO
DANCER NO 1: I AM LONELY
DANCER NO 2: ME TWO
DANER NO 1: I AM RESTESS AND LONELY
DANCER NO 2: THATS NOT POSSIBLE
DANER NO I: WHY NOT?
DANVER NO 2: YOU CAN EITHER BE RESTLESS OR LONELY
DANCER NO 1: WHY?
DANCER NO 2: LONELINESS CANT BE ACCOMPANIED BY ANYTHING.
RESTLESSNESS IS OPPOSITE OF LONELINESS. LONELINESS HAS NO COMPANION.
LONELINESS IS JUST LONELY....
DANCER NO 2; I WILL TAKE RESTLESSNESS ANY TIME
DANCER NO 1: RESTLESSNESS IS NOT PART OF THE PLAY, LONELINESS IS...
EVERY ONE IS GOING TO DO MONOLUGES ABOUT LONELINESS IN THIS PLAY
DANCER NO2: HOW DO YOU KNOW?
DANCER NO1: I READ THE PLAY
DANCER NO 2; YOU READ THE PLAY?
DANCER NO 1: YES
DANCER NO 2: WHEN?
DANCER NO 1: WHEN I CAME TO AUDITION
DANCER NO 2 HOW COME?
DANER NO 1: THE DIRECTOR GAVE ME THE PLAY
DANCER NO 2: WHO IS THE DIRESTOR?
DANCER NO 1: (POINTS AT THE MALE ATOR) OVER THERE...
DANCER NO 2: I THOUGHT HE WAS THE CRITIC
DANVER NO 1: HE IS THE CRITIC AS WELL AS THE DIRECTOR. HE IS ALSO THE
PRODUCER. THAT'S WHY I DANCED FOR HIM
DANCER NO 2: HOW COME HE HAS SO MANY ROLES?
DANCER NO 1: HE IS WHITE. WHITE AMERICAN MALE...DESCENDENTS OF GREEKS.
THEY RULED THE WORLD FOR THOUSANDS OF YEARS....THEY WERE THE WINNERS,
THEY STARTED THE OLYMPICS... THEY WERE WHITE. NO ONE CAN BEAT A WHITE
MAN...
SCENE SEVEN:
MALE ACTOR" (TO THE ACTRESS) YOU HAVE TO START THE PLAY
ACTRESS: NOT TILL I HAVE MY TEA....
SCENE EIGHT WAITER FINISHES THE REST OF HIS MONOLOGUE AND THEN COMES
TO THE CAFE TABLE
SCENE NINE: WAITER: GOOD MORNING, WHAT WOULD YOU LIKE?
ACTRESS: COFFEE FOR MY FRIEND AND A HOT CUP OF TEA FOR ME...
WAITER: SURE THING
(WAITER GOES AND COME BACK WITH COFFEE AND TEA
WAITER: HERE IS COFEE FOR YOU AND HOT TEA FOR THE LADY.
I HAVE ALSO BROUGHT A SHOT OF WHISKEY FOR BOTH OF YOU. ITS SNOWING
OUTSIDE, HORRIBLY COLD, YOU MUST BE FREEZING. WHERE ARE YOUR COATS?
HOW CAN YOU BE WITHOUT COATS IN THIS WEATHER? HAVE SOME WHISKY, IT
WILL WARM YOU UP....
ACTEESS: WE ARE NOT COLD, NO NT AT ALL. WE DON'T NEED COATS. WE ARE
VERY
HOT. WE CAME DOWN FROM HELL....TO DO THE PLAY...
MALE ACTOR: LET THE PLAY BEGIN.. .PLACES
ACTRESS: WE ARE FROM ANOTHER WORLD BUT THE PLAY IS GOING TO BE ABOUT
YOUR WORLD, (Points towards the audiene.)
(LIGHTS DIM, ACTRESS MVES AWAY FROM THE CAFE AREA, GOES CENTER STAGE
UNDER A SPOT LIGHT)
SCENE TEN
ACTRESS: MONOLOGUE ABOUT TO DO THE PLAY OR NOT TO DO THE PLAY....
ALSO A SCENE WHERE SOME ONE COMES AND MURDER HER
THEN ANTHER SCENE WHERE SHE GETS ARRESTED IN THE RESTURANT.
(I AM NOT SURE IF THIS SCENE IS ALSO ABOUT ASKING THE ACTORS TO BE IN HER PLAY AND THEY REFUSE?)
SCENE 11: RESTURANT SCENE, PLAYWRIGHT AND MANGER ARRESTING HER
SCENE 12" LONELINESS MONOLGUE IN ANOTHER LANGUAGE
SCENE 13; DANCE
SCENE 14 IMMIGRATION SCENE, CUSTOM OFFICER AND THE LADY IMMIGRANT
SCENE 15, MONOLOGUE ABOUT FEELING AT HOME AFTER THE CUSTOM OFFICER
SCENE 16: CRITIC'S FIRST MONOLOGUE
SCENE 17: PERFORMANCCE ART SCENE, NOT GETTING TO THE EAST SIDE OR WEST
SIDE TO PERFORM WITH MUSIC AND MOVEMENTS...
SCENE 18: LOELINESS MONOLOUGE IN ANOTHER LANNGUAGE, SPANISH MAYBE
SCENE 19: WEDDING MONOLOGUE
SCENE 20: CRITICS SECOND MONOLOGUE...PARTY MUSIC, LOUD LAUGHTER, NOISES,
CLUB KIND OF SOUNDS....THEY ALL DANCE.... AND THEN EXIT DANCING
LIGHTS
END OF PLAY
SCENES....(POSSIBILTY OF CHANGE IN THE ORDER OF SCENES)
ALL ACTORS DRESSED IN WHITE
SCENE ONE....ACTORS ENETR IN THE DARK WITH FLASH LIGHTS, THEY SCATTER
THEMSELVES ALL OVER STAGE, MOVE IN A SLOW MOTION MANNER, CLASSICAL
MUSIC PLAYS IN THE BACK GROUND. TWO OF THE ACTORS, ME AND KEVIN SIT
DOWNSTAGE LEFT AT A COFFEE TABLE. THE REST OF THE ACORS SIT ON THE SIDES
OF THE THEATER
SCENE TWO: DANCER DANCE CENTER STAGE
SCENE THREE: CAFE TABLE SCENE....WAITER AND TWO ACTORS ?
(THE LADY ACTRESS ASKS ANOTHER ACTRESS,)
ACTRESS: WHAT'S YOUR NAME?
2ND ACTRESS; SALOME
MALE ACTOR: SALOME, DANCE FOR ME
ACTRESS: DON'T DANCE MY DEAR, DON'T DANCE
MALE ACTOR: SALOME DANCE FOR ME...I WILL GIVE YOU A GREAT REVIEW
I AM ALSO A CRITIC AND A VERY POWERFUL ONE. YOUR LIFE WILL
IMMEDIATELY CHANGE AFTER MY REVIEW. YOU WILL BE THE DARLING OF NY
THEATER, LONDON THEATER, YOU WILL HAVE THE TONY, THE OLIVIER AWARD,
MONEY, MOVIE CONTRACTS, JUST DANCE FOR ME AND YOU WILL HAVE EVERY
THING YOU HAVE EVER WANTED IN LIFE AND EVEN MORE, MORE, MORE, MORE.
OUR CULTURE DEMANDS MORE, MORE, MORE. NOTHING IS ENOUGH AND WITH MY
DAZZLING REVIEW YOU WILL HAVE MORE AND MORE AND MORE OF EVERYTHING.
MONEY, FAME, SEX,LOTS OF SEX, I ROMISE YOU, EVERY PRODUCER WANTS TO
SLEEP
WITH A MOVIE STAR AND YOU MIGHT EVEN HAVE LOVE WHICH IS VERY HARD TO
HAVE IN OUR CAPITALIST SOCIETY BUT YOU MIGHT JUST HAVE BUCKETS FULL OF
FAKE LOVE....THAT'S GOOD ENOUGH. ALL YOU HAVE TO DO SALOME IS TO DANCE
FOR ME.
ACTRESS: SALOME, DON'T DANCE FOR HIM. HE BRINGS NOTHING BUT
DESTRUCTION. THE WHITE MAN IS BACK TO DESTROY.
MALE ACTRESS (TO THE ACTRESS) YOU NKEEP QUIET. MIND YOUR OWN BUSINESS.
ITS BETWEEN ME AND SALOME AND I KNOW SHE WILL DANCE FOR ME. NO
ACTRESS
CAN AFFORD NOT TO OBEY THE MOST POWERFUL CRITIC IN THE WORLD.
ACTRESS: BUT YOU ARE NOT OF THIS WORLD....
MALE ACTOR: I AM OF THIS WORLD AND OF THE OTHER WORLD. I BELONG TO
HEAVEN AND HELL. THAT IS MY POWER. ONCE POWERFUL, ALWAYS POWERFUL.
I TRANSMIT MY POWER TO YOU SALOME, DANCE FOR ME...
SCENE THREE: ONE OF THE ACTRESS GETS UP AND STARTS TO DANCE...EROTIC AND
EXOTIC DANCE. (MIDDLE EASTERN NUSIC PLAYS)
SCENE FOUR:
MALE ACTOR: BRAVA, BRAVA, BRAVA...
ACTRESS: END OF THE WORLD IS HERE...
MALE ACTOR: WORLD HAS ALREADY ENDED SO THERE IS NO DANGER
(TO SALOME) GET READY FOR THE REWARD
ACTRESS: (TO SALOME) HE IS A LIER. LIKE A POLITICIAN WHO PROMISE THE WORLD
BEORE HIS WIN AND AFTER THAT HE GOES AND PLAYS GOLF. THATS IT. HONEY, HE
WON'T EVEN REMEBER THAT YOU EVER DANCED FOR HIM. I BET YOU HE WON'T
EVEN MENTION YOU IN HIS REVIEW IF THERE IS A REVIEW AT ALL IF THE PLAY
EVER
BEGINS. ONLY DEATH IS GOING TO BE YOUR REWARD. BUT MAYBE
YOU DON'T CARE ABOUT IT ANY MORE. MAYBE YOU ARE ALREADY DEAD. WHY DO
YOU WANT A TONY WHEN YOU ARE ALREADY DEAD?
MALE ACTOR: TONY AND OLIVIER ARE THE TWO MOST IMPORTANT AWARDS FOR A
SERIOUS ACTRESS LIVING OR DEAD....(TO SALOME) YOU WILL BE REWARDED..
.
YOU MIGHT HAVE TO DANCE ONE MORE TIME BEFORE THE PLAY ENDS AND THIS
TIME WITH SEVEN VEILS....THE VEILS WERE MISSING, SEEMS LIKE I CAME TO
REVIEW A VERY LOW BUDGET PERFORMANC E...OH! OH! THE ACTORS ARE IN
TROUBLE ...ME BROADWAY CRITIC , A GIANT, A GOD OF THE NY THEATER SITTING
IN
THIS DARK ROOM WITH NO SET, NO PROPS, NO VEIL FOR SALOME, NOT EVEN AN
ACTOR PLAYING A WAITER IN SIGHT... (CLAPS HIS HANDS) LET THE
PLAY BEGINS...(DANCER GOES BACK AND SIT DOWN)
ACTRESS: WAIT, I WANT MY TEA FIRST I CAN'T BEGIN ANYTHING WITHOUT MY
FIRST CUP OF TEA... WHERE IS THE WAITER?
SCENE FIVE: WAITER, (UPSTAGE RIGHT IN A SPOT LIGHT)
(DOES MORE OF HIS MONOLOGUE)
SCENE SIX: LITLE LIGHT ON THE DANCERS.
DANCER NO 1: I AM RESTLESS
DANCER NO 2: ME TOO
DANCER NO 1: I AM LONELY
DANCER NO 2: ME TWO
DANER NO 1: I AM RESTESS AND LONELY
DANCER NO 2: THATS NOT POSSIBLE
DANER NO I: WHY NOT?
DANVER NO 2: YOU CAN EITHER BE RESTLESS OR LONELY
DANCER NO 1: WHY?
DANCER NO 2: LONELINESS CANT BE ACCOMPANIED BY ANYTHING.
RESTLESSNESS IS OPPOSITE OF LONELINESS. LONELINESS HAS NO COMPANION.
LONELINESS IS JUST LONELY....
DANCER NO 2; I WILL TAKE RESTLESSNESS ANY TIME
DANCER NO 1: RESTLESSNESS IS NOT PART OF THE PLAY, LONELINESS IS...
EVERY ONE IS GOING TO DO MONOLUGES ABOUT LONELINESS IN THIS PLAY
DANCER NO2: HOW DO YOU KNOW?
DANCER NO1: I READ THE PLAY
DANCER NO 2; YOU READ THE PLAY?
DANCER NO 1: YES
DANCER NO 2: WHEN?
DANCER NO 1: WHEN I CAME TO AUDITION
DANCER NO 2 HOW COME?
DANER NO 1: THE DIRECTOR GAVE ME THE PLAY
DANCER NO 2: WHO IS THE DIRESTOR?
DANCER NO 1: (POINTS AT THE MALE ATOR) OVER THERE...
DANCER NO 2: I THOUGHT HE WAS THE CRITIC
DANVER NO 1: HE IS THE CRITIC AS WELL AS THE DIRECTOR. HE IS ALSO THE
PRODUCER. THAT'S WHY I DANCED FOR HIM
DANCER NO 2: HOW COME HE HAS SO MANY ROLES?
DANCER NO 1: HE IS WHITE. WHITE AMERICAN MALE...DESCENDENTS OF GREEKS.
THEY RULED THE WORLD FOR THOUSANDS OF YEARS....THEY WERE THE WINNERS,
THEY STARTED THE OLYMPICS... THEY WERE WHITE. NO ONE CAN BEAT A WHITE
MAN...
SCENE SEVEN:
MALE ACTOR" (TO THE ACTRESS) YOU HAVE TO START THE PLAY
ACTRESS: NOT TILL I HAVE MY TEA....
SCENE EIGHT WAITER FINISHES THE REST OF HIS MONOLOGUE AND THEN COMES
TO THE CAFE TABLE
SCENE NINE: WAITER: GOOD MORNING, WHAT WOULD YOU LIKE?
ACTRESS: COFFEE FOR MY FRIEND AND A HOT CUP OF TEA FOR ME...
WAITER: SURE THING
(WAITER GOES AND COME BACK WITH COFFEE AND TEA
WAITER: HERE IS COFEE FOR YOU AND HOT TEA FOR THE LADY.
I HAVE ALSO BROUGHT A SHOT OF WHISKEY FOR BOTH OF YOU. ITS SNOWING
OUTSIDE, HORRIBLY COLD, YOU MUST BE FREEZING. WHERE ARE YOUR COATS?
HOW CAN YOU BE WITHOUT COATS IN THIS WEATHER? HAVE SOME WHISKY, IT
WILL WARM YOU UP....
ACTEESS: WE ARE NOT COLD, NO NT AT ALL. WE DON'T NEED COATS. WE ARE
VERY
HOT. WE CAME DOWN FROM HELL....TO DO THE PLAY...
MALE ACTOR: LET THE PLAY BEGIN.. .PLACES
ACTRESS: WE ARE FROM ANOTHER WORLD BUT THE PLAY IS GOING TO BE ABOUT
YOUR WORLD, (Points towards the audiene.)
(LIGHTS DIM, ACTRESS MVES AWAY FROM THE CAFE AREA, GOES CENTER STAGE
UNDER A SPOT LIGHT)
SCENE TEN
ACTRESS: MONOLOGUE ABOUT TO DO THE PLAY OR NOT TO DO THE PLAY....
ALSO A SCENE WHERE SOME ONE COMES AND MURDER HER
THEN ANTHER SCENE WHERE SHE GETS ARRESTED IN THE RESTURANT.
(I AM NOT SURE IF THIS SCENE IS ALSO ABOUT ASKING THE ACTORS TO BE IN HER PLAY AND THEY REFUSE?)
SCENE 11: RESTURANT SCENE, PLAYWRIGHT AND MANGER ARRESTING HER
SCENE 12" LONELINESS MONOLGUE IN ANOTHER LANGUAGE
SCENE 13; DANCE
SCENE 14 IMMIGRATION SCENE, CUSTOM OFFICER AND THE LADY IMMIGRANT
SCENE 15, MONOLOGUE ABOUT FEELING AT HOME AFTER THE CUSTOM OFFICER
SCENE 16: CRITIC'S FIRST MONOLOGUE
SCENE 17: PERFORMANCCE ART SCENE, NOT GETTING TO THE EAST SIDE OR WEST
SIDE TO PERFORM WITH MUSIC AND MOVEMENTS...
SCENE 18: LOELINESS MONOLOUGE IN ANOTHER LANNGUAGE, SPANISH MAYBE
SCENE 19: WEDDING MONOLOGUE
SCENE 20: CRITICS SECOND MONOLOGUE...PARTY MUSIC, LOUD LAUGHTER, NOISES,
CLUB KIND OF SOUNDS....THEY ALL DANCE.... AND THEN EXIT DANCING
LIGHTS
END OF PLAY
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